Quantum Of Solace opens with a spectacular car chase through the historic streets of Siena, Italy, culminating in a pursuit over the rooftops which recalls the breathtaking Morocco sequence from The Bourne Ultimatum.

It's no surprise that many of the behind-the-scenes crew, including co-editor Richard Pearson, second unit director Dan Bradley and stunt
co-ordinator Gary Powell, have close ties to the
Bourne franchise.

At times, the similarities become more of an imitation, and, unfortunately for Bond, his American counterpart does it far better.

Director Marc Forster ensures the pace doesn't slacken for the opening hour, including a fist-fight on a series of ropes and pulleys, a high-speed boat chase and an aerial dogfight.

Once audiences finally catch their breath, the ramshackle plot unfurls with no sense of urgency, and all of the adrenaline pumping through the film's veins dissipates, building to a deeply disappointing final showdown in Chile.

Perhaps for the first time ever, Bond's arch-nemesis dies off screen.

Quantum Of Solace is also the first film where the principal lovely doesn't disrobe and succumb to James's charms.

Amusingly, there is more sexual tension between M and her headstrong protégé.Bond is evidently losing
his touch.

Following the death of Vesper Lynd, Bond (Daniel Craig) joins M (Judi Dench) to interrogate Mr White (Jesper Christensen), part of a secret organisation responsible for his beloved's demise.

"The first thing you should know is that we have people everywhere," smirks Mr White, who has good reason to feel cocky.

The trail of evidence leads to beautiful Haiti, where Bond meets the enigmatic yet alluring Camille, a woman pursing a secret vendetta against ruthless businessman Dominic Greene and his associate, exiled General Medrano.

Greene and his allies plan to sweep Medrano back into power, overthrowing an entire Latin American régime, in exchange for a seemingly worthless piece
of desert.

As the vengeful British agent edges closer to discovering the identities of the men responsible for Vesper's death, he takes justice into his own bloody hands, clashing with old friends Felix Leiter (Jeffrey Wright) and field agent Mathis (Giancarlo Giannini).

Craig's lead performance, which was unconvincing in Casino Royale, is even more cold and aloof here, and virtually starved of emotion.

Thankfully, Dench dominates her scenes, constantly berating her operative for his actions.

Fans of the series will thrill to the action scenes, but the 21st-century 007 is in danger of severing all ties to his glorious past, losing the gadgets, double entendres and the charm – everything that made us fall in love with Bond back in 1962.