Growing up in a single room in an apartment block in Naples in the immediate aftermath of the Second World War, Erri De Luca’s hero inhabits a world still scarred by the momentous events of the recent past, and as he didn’t experience these events himself, it’s only natural that he should turn to his de facto guardian, Don Gaetano, the caretaker of the block, to tell him what happened. The narrative, then, is woven out of these two interlocking strands: Don Gaetano’s stories of Naples during the war years, and the narrator’s own early experiences of love and loss.
To begin with, the apartment block is the narrator’s entire world, from the courtyard where he plays football with the other boys, to the secret, underground chamber he discovers by accident – a place of concealment for a Jew during the war, Don Gaetano tells him, but for the narrator a place to read books in peace at first, then later a hideaway to share with his first love, the troubled and troubling Anna. Gradually, however, thanks to the guidance of Don Gaetano, the narrator’s sense of himself grows until finally, although he may not quite realise it, he is ready to leave his childhood home behind.
De Luca is a native of Naples and in a sense this book is a love letter to the city. He has been described as “the only true first-rate writer that the new millennium has given us”. On the evidence of this carefully judged translation, it’s high time English versions of some of his other 60-plus books were available in the UK.