Why The A Word means so much to Christopher Eccleston and fellow cast members

Family drama The A Word is making its much-anticipated return to BBC One – with a wedding in store. Georgia Humphreys hears more from members of the stellar cast.

Pictured: (L-R front, then back row) Morven Christie as Alison Hughes, Max Vento as Joe Hughes, Molly Wright as Rebeca Hughes, Lee Ingleby as Paul Hughes, Pooky Quesnel as Louise Wilson, Christopher Eccleston as Maurice Scott, Greg McHugh as Edwin (Eddie) Scott. Picture: PA Photo/BBC/ Fifty Fathoms/Ben Blackall.

The A Word is one of those TV dramas that subtly tugs at the heartstrings.

Since it last aired in 2017, fans have been eagerly stopping members of the cast on the street to find out when the poignant show – about an autistic boy called Joe (played by young West Yorkshire actor Max Vento) and his family – would be back.

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Finally, the third series – once again written by Peter Bowker – is hitting our screens, and you can expect it to be as moving as ever.

Leon Harrop as Ralph, Sarah Gordy as Katie. Picture: BBC/ Fifty Fathoms/Rachel Joseph.

“This programme has connected me with the public like no other, because everybody seems to be touched, in some way, by autism or Down’s syndrome,” says Salford-born star Christopher Eccleston, who plays grumpy-but-loveable grandad, Maurice Scott.

“People are going to be watching it in lockdown, and it’s about families being on top of each other and involved in each other’s lives – it will be quite an interesting reaction.”

Here, we find out more from Eccleston, plus his co-stars Pooky Quesnel, Sarah Gordy and Leon Harrop. Quesnel plays music teacher Louise Wilson, Maurice’s girlfriend, and a single parent to her son Ralph (played by Harrop), who has Down’s syndrome.

This series, her story revolves around Ralph’s independence, as she discovers in episode one that he plans to marry his girlfriend Katie (played by Gordy).

Pooky Quesnel as Louise Wilson, Leon Harrop as Ralph. Picture: PA Photo/BBC/Fifty Fathoms/James Stack.

“I’ve got a friend who’s an educational psychologist, and when I first got the script and I said, ‘Ralph’s going to get married’, she went: ‘Oh god, Louise won’t like that – the parents I know, they really, really struggle letting the kids have their independence because their whole life has been defined, and their whole selves have been defined, in this carer role.’ All of a sudden, they’ve got to release the reins – and Louise is the uber-control freak.”

Eccleston notes he has enjoyed seeing Harrop carry so much of the storyline in the third series.

“Watching Leon grow as an actor and a person, it’s great, and feeling Pete’s confidence in writing, ‘Leon can do this, Leon can do that’ and me and Pooky stepping back.”

Quesnel nods in agreement. “What’s really touched me about it is how Leon’s confidence and the way his brain works has developed and matured because somebody put faith in him and said, ‘Yes, of course you can do it. Here you go, here’s your platform.’”

We all love a good TV wedding – and Ralph and Katie’s promises to be one of the most iconic on-screen moments of the year.

“Filming the wedding scenes? Well, there was a lot of hanging around, but it was worth it,” recalls Gordy.

“So romantic; my heart was bursting when I made my promises to Ralph. And the dress, I love it.

“Katie doesn’t like the usual white wedding dress; she is a rebel wearing brilliant burgundy silk and boots. I think Ralph will have his hands full.”

Harrop shares he has many favourite moments from filming the wedding episode.

“Glory Glory Man United, the wedding dance, dancing to Steps. My first screen kiss I was a bit nervous, but it was good.

“It was just three days of fun really, plus I got to work with the brilliant Sarah Gordy.”

As well as the wedding plot, things are also changing for Joe, the character played by Max Vento, in the series. Vento was just six when he landed the major role after attending weekly drama classes at Guiseley-based West Yorkshire School of Performing Arts.

Joe is now 10 and living in two places at once, processing the seismic change in his life of the divorce of his parents Alison and Paul through the filter of his autism.

What really radiates from the cast is the tight bond they have formed.

“There is such warmth on set with Pooky, Chris and Leon – they are like a real family,” says Gordy.

“They made me feel part of it immediately, asking if I wanted to practise my lines with them or anything.

“Meeting Leon was great, it was like I had always known him. We video chat a lot during this virus stuff. I really miss them all, but will see them soon on telly.”

Discussing Maurice this series, Eccleston explains: “At the grand old age of 56, he’s involved in a settled relationship again, and his children are all falling apart. He’s quite bewildered by that.

“And then he sees it happening to Louise – the empty nest syndrome. And, of course, he tries to fix it, which is always a bad idea on Maurice’s part.”

They must become really invested in these characters, as they intertwine with their own lives, I suggest.

“Yeah, and that’s what Peter’s strength is – he writes about ageing and sudden changes in people’s lives, and communication,” affirms Eccleston.

“I joke with Chris that he morphs into what I call the Maurice-Chris hybrid,” Quesnel chimes in. “And by the end of shooting, he’s just this weird composite of the two characters and you don’t know where one begins and the other ends.

“It’s good – it’s like he walks on set and he goes two foot taller and he has all this energy!”

“I’ve spoken to Pete a couple of times and said, ‘I think it’s a bit broad, this performance’,” adds Eccleston. “He said, ‘Well, that’s Maurice!’”

The former Doctor Who star points out that The A Word is the longest job he’s ever done.

“We’ve made 18 hours of telly, playing these characters,” he continues, avidly. “A lot has happened to me in the last five years, between 52 and 57, and similarly with Maurice. At the beginning, he was grieving his wife, he’d lost any sense of anchor and then we see him meet Louise… loads has happened. It’s odd playing a character for this long.”

He later touches on how supportive The A Word team – and Quesnel in particular – were about his mental health issues (in early 2016, he had a breakdown and spent his 52nd birthday in a psychiatric hospital). “I got poorly towards the end of the first series, and then I think the second series was only the second job since I came out of hospital.”

The cast are hopeful they’ll get to work together again on The A Word in the future.

Meanwhile, what Quesnel has realised from playing Louise is that, especially with Peter Bowker’s writing, “you’ve just got to be in the moment”.

“You can’t think, ‘I’m going to play that scene like that,’ because somehow it has its own alchemy once the characters get on set with the script.

“And the less you plan it, and the more you just give yourself to it, and especially with Down’s syndrome actors, because they are so spontaneous and uncontrived… That’s what I really think I’ve learned from this, just trust the moment and trust the script and trust your fellow actors and enjoy it.”

Writer hits out at BBC’s ‘ignorant’ critics

Writer Peter Bowker says he is thrilled to be bringing the show back for a third series.

“It is a joy to be revisiting the world of The A Word and to have the opportunity to expand our celebration and examination of diversity and humanity in all its myriad forms.

“The BBC has been incredibly supportive of this show and deserve our thanks and support at a time when it continues to be attacked on behalf of the ignorant by those who should know better.”

Piers Wenger, Controller of BBC Drama, says: “The A Word has become a firm favourite with the BBC One audience telling a unique and poignant story in an original and entertaining way. We look forward to picking up with Joe and the family two years on.”

The A Word returns to BBC One on Tuesday, May 5

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